See what happens when a bit of keyboard (piano, synth) is added to the mix? Words like "polite", "accomplished", and "bloated" are bandied about like sacred icons keeping evil spirits and bad manners away. Well, this 1980 release by those punk saviors The Damned IS their most accomplished and bloated (see the 17 minute "Curtain Call" for proof of that progressive tendency) album, a double at that! I think of the first LP in this set as playful, pretentious, and ambitious, and better for it. This is really a well-written and played pop record with great songs and catchy melodies. Its central concept is summed up in the first track, "Wait For the Blackout":
In darkness there is no sin
Light only brings the fear
Nothing to corrupt the eyes
There is no vision here
At first you may seem strange
But do not go away
The dark holds the power
That you won't find in the day
This absence of light suggests something far more openly creative than a Goth/Punk hybrid, it announces The Damned's arrival at musical and lyrical maturity with all its influences absorbed and ready for duty in the world of Perfect Pop. This is not an abandonment, but an embrace. It's songs are no longer the angry cliches that punk eventually found itself mired in, but attempts to insinuate ideas from history, literature, and psychology into Punk's limited palette. Tracks like "Dr Jekyll and Mr. Hyde", "Lively Arts", and especially "History of the World Part 1" are hummable, thought provoking, and even touching at times. It's always good to begin with an ending, as "History of the World Par 1" does:
I just hit the ground, boy, have I arrived
Tell the dinosaurs they just won't survive
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