Thursday, September 6, 2012

THIS IS HOW WE DEFORM: Cyndustries Four Transients

I guess one can always use an envelope if you do any sort of subtractive synthesis,  and in this case Cynthia Webster and Todd Barton have come up with a winner. Its four envelopes can produce all kinds of aural trickery,  including audio and filter uses.  Whether you like your transients straight , confused (my approach), or even inter-mingled,   this could be the module for you.

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