Friday, April 15, 2016

PROCESS: GESTURE (a kind of balance between drawing & painting)

My latest paintings present a kind of balance of the painterly and the drawn, ultimately forming a chaotic network meaningless "marks".  The smudges, sandings, erasures, and ghosts of gestures could possibly be admissions of both a wordless desire and disdain. How could one possibly make art without dichotomies?

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